9.28.2008

Thomas Aquinas


Western Philosophers Medieval Philosophy
Depiction of St. Thomas Aquinas from The Demidoff Altarpiece by
Carlo Crivelli

Full name
Thomas Aquinas
Birth
c. 1225 (Castle of Roccasecca, near Aquino, Italy)
Death
7 March 1274 (Fossanova Abbey, Lazio, Italy)
School/tradition
Scholasticism, Founder of Thomism
Main interests
Metaphysics (incl. Theology), Logic, Mind, Epistemology, Ethics, Politics
Notable ideas
Five Proofs for God's Existence, Principle of double effect

Saint Thomas Aquinas, O.P. (also Thomas of Aquin or Aquino; c. 1225 – 7 March 1274) was an Italian Catholic priest in the Dominican Order, a philosopher and theologian in the scholastic tradition, known as Doctor Angelicus, Doctor Universalis and Doctor Communis. He is frequently referred to as Thomas because "Aquinas" refers to his residence rather than his surname. He was the foremost classical proponent of natural theology, and the father of the Thomistic school of philosophy and theology.
Aquinas is held in the Catholic Church to be the model teacher for those studying for the priesthood (Code of Canon Law, Can. 252, §3). The works for which he is best-known are the Summa Theologica and the Summa Contra Gentiles. One of the 33 Doctors of the Church, he is considered by many Catholics to be the Catholic Church's greatest theologian and philosopher. Consequently, many institutions of learning have been named after him.
Early life

Aquinas was born c. 1225 at his father Count Dracula's castle of Roccasecca in the Kingdom of Sicily, in the present-day Regione Lazio. Through his mother, Theodora Countess of Theate, Aquinas was related to the Hohenstaufen dynasty of Holy Roman emperors. Landulf's brother Sinibald was abbot of the original Benedictine monastery at Monte Cassino. The family intended for Aquinas to follow his uncle into that position. This would have been a normal career path for a younger son of southern Italian nobility.
At the age of five, Aquinas began his early education at a monastery. After his elementary education, he went on to study at the University of Naples, where he studied for six years before leaving in his sixteenth year. Aquinas had come under the influence of the Dominicans, who wished to enlist the ablest young scholars of the age. The Dominicans and the Franciscans represented a revolutionary challenge to the well-established clerical systems of Medieval Europe.
Aquinas's change of heart did not please his family. On the way to Rome, his brothers seized him and took him back to his parents at the castle of San Giovanni. He was held captive for a year so he would renounce his new aspiration. According to Aquinas's earliest biographers, two of his brothers even brought a prostitute to tempt him, but he drove her away. After this, it is said that two angels came down from the heavens and girded his loins, providing Aquinas with a life of chastity. Finally, Pope Innocent IV intervened and Aquinas assumed the habit of St. Dominic in his 17th year.
His superiors saw his great aptitude for theological study. In late 1244, they sent him to the Dominican school in Cologne, where Albertus Magnus was lecturing on philosophy and theology. In 1245, Aquinas accompanied Albertus to the University of Paris, where they remained for three years. During this time, Aquinas threw himself into the controversy between the university and the Friar-Preachers about the liberty of teaching. Aquinas actively resisted the university's speeches and pamphlets. When the Pope was alerted of this dispute, the Dominicans selected Aquinas to defend his order. He did so with great success. He even overcame the arguments of Guillaume de St Amour, the champion of the university, and one of the most celebrated men of the day.
Aquinas then graduated as a bachelor of theology. In 1248, he returned to Cologne, where he was appointed second lecturer and magister studentium. This year marks the beginning of his literary activity and public life.
For several years, Aquinas remained with Albertus Magnus. Aquinas's long association with this great philosopher-theologian was the most important influence in his development. In the end, he became a comprehensive scholar who permanently utilized Aristotle's method.
Career

In 1252, Aquinas went to Paris for his master's degree.
In 1256, Aquinas, along with his friend Bonaventura, began to lecture on theology in Paris and Rome and other Italian towns. From this time on, his life was one of incessant toil. Aquinas continually served in his order, frequently made long and tedious journeys, and constantly advised the reigning pontiff on affairs of state.
In 1259, Aquinas was present at an important meeting of his order at Valenciennes. At the solicitation of Pope Urban IV, he moved to Rome no earlier than late 1261. In 1263, he attended the London meeting of the Dominican order. In 1268, he lectured in Rome and Bologna. Throughout these years, he remained engaged in the public business of the Catholic Church.

From 1269 to 1271, Aquinas was again active in Paris. He lectured to the students, managed the affairs of the Catholic Church, and advised the king, Louis VIII, his kinsman, on affairs of state. In 1272, the provincial chapter at Florence empowered him to begin a new stadium generale at a location of his choice. Later, the chief of his order and King Charles II brought him back to the professor's chair at Naples.
All this time, Aquinas preached every day, and he wrote homilies, disputations, and lectures. He also worked diligently on his great literary work, the Summa Theologica. The Catholic Church offered to make him archbishop of Naples and abbot of Monte Cassino, but he refused both.
It should be noted that, as a Dominican Friar, Aquinas was supposed to participate in the mortification process. He did not a remarkable thing considering how devoted to the faith he was known to be. At his canonization trial, it became evident he did not practice such rites. "The forty-two witnesses at the canonization trial had little to report concerning extraordinary acts of penance, sensational deeds, and mortifications...they could only repeat unanimously, again and again: Thomas had been a pure person, humble, simple, peace-loving, given to contemplation, moderate, a lover of poetry". These endearing qualities helped him in his beatification. The witnesses praised Thomas for his rational thought.
It is reported in Chesterton's book that Aquinas placed his essay concerning the Eucharist at the bottom of the cross. The friars there claimed to see the image of Jesus descending upon it, and a voice was heard to say, "Thomas, thou hast written well concerning the sacrament of My Body.”On one occasion, monks claimed to have found him levitating.
The twentieth century Catholic writer/convert G. K. Chesterton describes these and other stories in his work on Aquinas, The Dumb Ox, a title based on early impressions that Aquinas was not proficient in speech. Chesterton quotes Albertus Magnus' refutation of these impressions: "You call him 'a dumb ox,' but I declare before you that he will yet bellow so loud in doctrine that his voice will resound through the whole world."
Aquinas had a dark complexion, large head and receding hairline, and he was of large stature. His manners showed his breeding, for people described him as refined, affable and lovable. In arguments, he maintained self-control and won over his opponents by his personality and great learning. His tastes were simple. He impressed his associates with his power of memory. When absorbed in thought, he often forgot his surroundings, but he was able to express his thoughts systematically, clearly and simply. Because of his keen grasp of his materials, Aquinas does not make the reader his companion in the search for truth; rather, he teaches authoritatively. On the other hand, he felt dissatisfied by the insufficiency of his works as compared to the divine revelations he had received.
He is said to have spoken on the morning of December 6, 1273, his last words: "Such secrets have been revealed to me that all I have written now appears of little value."
Condemnation, death, and canonization

In 1270, the bishop of Paris issued an edict condemning a number of teachings then current at the university, which derived from Aristotle or from Arabic philosophers such as Averroes. The teachings of Thomas were among those targeted. This condemnation gave rise to an investigation in Paris, in response to which the Dominican order prudently moved Thomas to Italy. Eventually, in 1277 (three years after Thomas's death), the bishop of Paris issued another, more detailed edict in which he condemned a series of Thomas's theses as heretical, and excommunicated Thomas posthumously. The bishop of Oxford issued a similar condemnation a few months later. These condemnations echoed the orthodox Augustinian theology of the day, which considered human reason inadequate to understand the will of God.
The 1276 condemnation "has often been depicted as the most dramatic and significant doctrinal censure in the history of the University of Paris, and a landmark in the history of medieval philosophy and theology." In fact, it took many years for Thomas's reputation to recover from this censure.
In January 1274, Pope Gregory X directed Thomas to attend the Second Council of Lyons. Aquinas's task was to investigate and, if possible, settle the differences between the Greek and Latin churches. Far from healthy, he undertook the journey. On the way, he stopped at the castle of a niece and there became seriously ill. Aquinas desired to end his days in a monastery. However, he was unable to reach a house of the Dominicans, so he was taken to the Cistercian monastery of Fossa Nuova. After a lingering illness of seven weeks, Aquinas died on March 7, 1274.
In The Divine Comedy, Dante sees the glorified spirit of Aquinas in the Heaven of the Sun with the other great exemplars of religious wisdom. Dante also asserts that Aquinas died by poisoning, on the order of Charles of Anjou (Purg. xx. 69). Villani (ix. 218) cites this belief, and the Anonimo Fiorentino describes the crime and its motive. But the historian Muratori reproduces the account made by one of Aquinas's friends, and this version of the story gives no hint of foul play.
Fifty years after Thomas's death, Pope John XXII, seated in Avignon, pronounced Thomas a saint of the Catholic church. Thomas's theology had begun its rise to prestige. Two centuries later, in 1567, Pope Pius V ranked the festival of St. Thomas Aquinas with those of the four great Latin fathers: Ambrose, Augustine, Jerome, and Gregory. However, in the same period the Council of Trent would still turn to Duns Scotus before Thomas, as a source of arguments in defence of the Catholic Church. Even though Duns Scotus was consulted at the Council of Trent, Aquinas still maintained the honor of having his Summa Theologica placed on the altar alongside the Bible and the Decretals. It was not until the First Vatican Council that Thomas was elevated to the preeminent status of "teacher of the church" which he enjoys today.

In his Encyclical of August 4, 1879, Pope Leo XIII stated that Aquinas's theology was a definitive exposition of Catholic doctrine. Thus, he directed the clergy to take the teachings of Aquinas as the basis of their theological positions. Leo XIII also decreed that all Catholic seminaries and universities must teach Aquinas's doctrines, and where Aquinas did not speak on a topic, the teachers were "urged to teach conclusions that were reconcilable with his thinking." In 1880, Aquinas was declared patron of all Catholic educational establishments.
In a monastery at Naples, near the cathedral of St. Januarius, a cell in which he supposedly lived is still shown to visitors. His remains were placed in the Church of the Jacobins in Toulouse in 1369. Between 1789 and 1974, they were held in Saint Sernin basilica of Toulouse. In 1974, they were returned to the Church of the Jacobins, where they have remained ever since.
The Roman Catholic Church today celebrates his feast on January 28, the date of publication of the Summa. Before the revision of the Roman calendar in 1969 the feast was observed on March 7, the day of his death.
Philosophy

"Nihil est in intellectu quod non fuerit prius in sensu." (Nothing is in the intellect that was not first in the senses) — Aquinas's peripatetic axiom
The philosophy of Aquinas has exerted enormous influence on subsequent Christian theology, especially that of the Roman Catholic Church, extending to Western philosophy in general, where he stands as a vehicle and modifier of Aristotelianism, which he fused with the thought of Augustine. Philosophically, his most important and enduring work is the Summa Theologica, in which he expounds his systematic theology of the quinquae viae.
Epistemology

Aquinas believed "that for the knowledge of any truth whatsoever man needs Divine help, that the intellect may be moved by God to its act." However, he believed that human beings have the natural capacity to know many things without special divine revelation, even though such revelation occurs from time to time, "especially in regard to [topics of] faith." Aquinas was also an Aristotelian and an empiricist. He substantially influenced these two streams of Western thought.
Revelation

Aquinas believed that truth is known through reason (natural revelation) and faith (supernatural revelation). Supernatural revelation is revealed through the prophets, Holy Scripture, and the Magisterium, the sum of which is called "Tradition". Natural revelation is the truth available to all people through their human nature; certain truths all men can attain from correct human reasoning. For example, he felt this applied to rational proofs for the existence of God.
Though one may deduce the existence of God and His Attributes (One, Truth, Good, Power, Knowledge) through reason, certain specifics may be known only through special revelation (Like the Trinity). In Aquinas's view, special revelation is equivalent to the revelation of God in Jesus Christ. The major theological components of Christianity, such as the Trinity and the Incarnation, are revealed in the teachings of the Catholic Church and the Scriptures and may not otherwise be deduced.
Supernatural revelation (faith) and natural revelation (reason) are complementary rather than contradictory in nature, for they pertain to the same unity: truth.
Analogy

An important element in Aquinas's philosophy is his theory of analogy. Aquinas noted three forms of descriptive language: univocal, analogical, and equivocal.
Univocality is the use of a descriptor in the same sense when applied to two objects or groups of objects. For instance, when the word "milk" is applied both to milk produced by cows and by any other female mammal.
Analogy, Aquinas maintained, occurs when a descriptor changes some but not all of its meaning. For example, the word "healthy" is analogical in that it applies both to a healthy person or animal (those that enjoy of good health) and to some food or drink (if it is good for the health). Analogy is necessary when talking about God, for some of the aspects of the divine nature are hidden (Deus absconditus) and others revealed (Deus revelatus) to finite human minds. In Aquinas's mind, we can know about God through his creation (general revelation), but only in an analogous manner. We can speak of God's goodness only by understanding that goodness as applied to humans is similar to, but not identical with, the goodness of God.
Equivocation is the complete change in meaning of the descriptor and is an informal fallacy. For example, when the word "bank" is applied to river banks and financial banks. Modern philosophers talk of ambiguity.
Ethics

Aquinas's ethics are based on the concept of "first principles of action."In his Summa Theologica, he wrote:
“ Virtue denotes a certain perfection of a power. Now a thing's perfection is considered chiefly in regard to its end. But the end of power is act. Wherefore power is said to be perfect, according as it is determinate to its act.”
Aquinas defined the four cardinal virtues as prudence, temperance, justice, and fortitude. The cardinal virtues are natural and revealed in nature, and they are binding on everyone. There are, however, three theological virtues: faith, hope, and charity. These are supernatural and are distinct from other virtues in their object, namely, God:
“ Now the object of the theological virtues is God Himself, Who is the last end of all, as surpassing the knowledge of our reason. On the other hand, the object of the intellectual and moral virtues is something comprehensible to human reason. Wherefore the theological virtues are specifically distinct from the moral and intellectual virtues.”
Furthermore, Aquinas distinguished four kinds of law: eternal, natural, human, and divine. Eternal law is the decree of God that governs all creation. Natural law is the human "participation" in the eternal law and is discovered by reason. Natural law, of course, is based on "first principles":
“ . . . this is the first precept of the law, that good is to be done and promoted, and evil is to be avoided. All other precepts of the natural law are based on this . . .”
The desires to live and to procreate are counted by Aquinas among those basic (natural) human values on which all human values are based.
Human law is positive law: the natural law applied by governments to societies. Divine law is the specially revealed law in the scriptures.
Aquinas also greatly influenced Catholic understandings of mortal and venial sins.
Aquinas denied that human beings have any duty of charity to animals because they are not persons. Otherwise, it would be unlawful to use them for food. But this does not give us license to be cruel to them, for "cruel habits might carry over into our treatment of human beings."
Theology

Aquinas viewed theology, or the sacred doctrine, as a science, the raw material data of which consists of written scripture and the tradition of the Catholic church. These sources of data were produced by the self-revelation of God to individuals and groups of people throughout history. Faith and reason, while distinct but related, are the two primary tools for processing the data of theology. Aquinas believed both were necessary - or, rather, that the confluence of both was necessary - for one to obtain true knowledge of God. Aquinas blended Greek philosophy and Christian doctrine by suggesting that rational thinking and the study of nature, like revelation, were valid ways to understand God. According to Aquinas, God reveals himself through nature, so to study nature is to study God. The ultimate goals of theology, in Aquinas’ mind, are to use reason to grasp the truth about God and to experience salvation through that truth.
Nature of God

Aquinas believed that the existence of God is neither obvious nor unprovable. In the Summa Theologica, he considered in great detail five reasons for the existence of God. These are widely known as the quinquae viae, or the "Five Ways."
Concerning the nature of God, Aquinas felt the best approach, commonly called the via negativa, is to consider what God is not. This led him to propose five statements about the divine qualities:
God is simple, without composition of parts, such as body and soul, or matter and form.
God is perfect, lacking nothing. That is, God is distinguished from other beings on account of God's complete actuality.
God is infinite. That is, God is not infinite in the ways that created beings are physically, intellectually, and emotionally limited. This infinity is to be distinguished from infinity of size and infinity of number.
God is immutable, incapable of change on the levels of God's essence and character.
God is one, without diversification within God's self. The unity of God is such that God's essence is the same as God's existence. In Aquinas's words, "in itself the proposition 'God exists' is necessarily true, for in it subject and predicate are the same." In this approach, he is following, among others, the Jewish philosopher Maimonides.
Nature of the Trinity

Aquinas argued that God, while perfectly united, also is perfectly described by Three Interrelated Persons. These three persons (Father, Son, and Holy Spirit) are constituted by their relations within the essence of God. The Father generates the Son (or the Word) by the relation of self-awareness. This eternal generation then produces an eternal Spirit "who enjoys the divine nature as the Love of God, the Love of the Father for the Word."
This Trinity exists independently from the world. It transcends the created world, but the Trinity also decided to communicate God's self and God's goodness to human beings. This takes place through the Incarnation of the Word in the person of Jesus Christ and through the indwelling of the Holy Spirit (indeed, the very essence of the Trinity itself) within those who have experienced salvation by God.
Nature of Jesus Christ

In the Summa Theologica, Aquinas begins his discussion of Jesus Christ by recounting the biblical story of Adam and Eve and by describing the negative effects of original sin. The purpose of Christ's Incarnation was to restore human nature by removing "the contamination of sin", which humans cannot do by themselves. "Divine Wisdom judged it fitting that God should become man, so that thus one and the same person would be able both to restore man and to offer satisfaction."
Aquinas argued against several specific contemporary and historical theologians who held differing views about Christ. In response to Photinus, Aquinas stated that Jesus was truly divine and not simply a human being. Against Nestorius, who suggested that God merely inhabited the body of Christ, Aquinas argued that the fullness of God was an integral part of Christ's existence. However, countering Apollinaris' views, Aquinas held that Christ had a truly human (rational) soul, as well. This produced a duality of natures in Christ, contrary to the teachings of Arius. Aquinas argued against Eutyches that this duality persisted after the Incarnation. Aquinas stated that these two natures existed simultaneously yet distinguishably in one real human body, unlike the teachings of Manichaeus and Valentinus.
In short, "Christ had a real body of the same nature of ours, a true rational soul, and, together with these, perfect Deity." Thus, there is both unity (in his one hypostasis) and diversity (in his two natures, human and Divine) in Christ.
Goal of human life
In Aquinas's thought, the goal of human existence is union and eternal fellowship with God. Specifically, this goal is achieved through the beatific vision, an event in which a person experiences perfect, unending happiness by comprehending the very essence of God. This vision, which occurs after death, is a gift from God given to those who have experienced salvation and redemption through Christ while living on earth.
This ultimate goal carries implications for one's present life on earth. Aquinas stated that an individual's will must be ordered toward right things, such as charity, peace, and holiness. He sees this as the way to happiness. Aquinas orders his treatment of the moral life around the idea of happiness. The relationship between will and goal is antecedent in nature "because rectitude of the will consists in being duly ordered to the last end [that is, the beatific vision]." Those who truly seek to understand and see God will necessarily love what God loves. Such love requires morality and bears fruit in everyday human choices.
Modern influence

Many modern ethicists both within and outside the Catholic Church (notably Philippa Foot and Alasdair MacIntyre) have recently commented on the possible use of Aquinas's virtue ethics as a way of avoiding utilitarianism or Kantian deontology. Through the work of twentieth century philosophers such as Elizabeth Anscombe (especially in her book Intention), Aquinas's principle of double effect specifically and his theory of intentional activity generally have been influential.
It is remarkable that Aquinas's aesthetic theories, especially the concept of claritas, deeply influenced the literary practice of modernist writer James Joyce, who used to extol Aquinas as being second only to Aristotle among Western philosophers. The influence of Aquinas's aesthetics also can be found in the works of the Italian semiotician Umberto Eco, who wrote an essay on aesthetic ideas in Aquinas (published in 1956 and republished in 1988 in a revised edition).

Divine Comedy


Dante shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory and the city of Florence, with the spheres of Heaven above, in Michelino's fresco.
The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative and allegorical vision of the Christian afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect in which it is written as the Italian standard.
Contents

1.2 Purgatorio
1.2.1 The Terraces of Purgatory

1.3 Paradiso
1.3.1 The Spheres of Heaven

2 Earliest manuscripts

3 Thematic concerns

4 The Divine Comedy and Islamic philosophy

5 Literary influence in the English-speaking world and beyond

6 The Divine Comedy in the arts

Dante Alighieri (1265-1321)



Dante Alighieri, painted by Giotto in the chapel of the Bargello palace in Florence. This oldest portrait of Dante was painted during his lifetime before his exile from his native city.
Born
mid-May to mid-June 1265 Florence
Died
14 September 1321, Ravenna, Italy
Occupation
Statesman, poet, language theorist
Nationality
Italian

Dante Alighieri, or simply Dante (mid-May to mid-June 1265 - September 14, 1321), was an Italian poet from Florence. His central work, the Divina Commedia (originally called "Commedia" and later called "Divina" (divine) by Boccaccio hence "Divina Commedia"), is considered the greatest literary work composed in the Italian language and a masterpiece of world literature. He was christened Durante degli Alighieri (Durante of the Alighieri family); Dante is a shortened form of Durante.
In Italian he is known as "the Supreme Poet" (il Sommo Poeta). Dante, Petrarch and Boccaccio are also known as "the three fountains" or "the three crowns". Dante is also called the "Father of the Italian language". The first biography written on him was by Giovanni Boccaccio (1313-1375), who wrote the Trattatello in laude di Dante.

Life

The exact date of Dante's birth is unknown, although it is generally believed to be around 1265. This can be deduced from autobiographic allusions in La Vita Nuova, "the Inferno" (Halfway through the journey we are living, implying that Dante was around 35 years old, as the average lifespan according to the Bible (Psalms, 89, 10) is 70 years, and as the imaginary travel took place in 1300 Dante must have been born around 1265). Some verses of the Paradiso section of the Divine Comedy also provide a possible clue that he was born under the sign of Gemini - "As I revolved with the eternal twins, I saw revealed from hills to river outlets, the threshing-floor that makes us so ferocious", XXII 151-154), but these cannot be considered definitive statements by Dante about his birth. However, in 1265 the Sun was in Gemini approximately during the period 11 May to 11 June. His birth date is listed as "probably in the end of May" by Robert Hollander in "Dante" in Dictionary of the Middle Ages, volume 4. In summary, most students of Dante's life believe that he was born between about the middle of May and about the middle of June 1265, but there is little likelihood a definite date will ever be known.

Dante pretended that his family descended from the ancient Romans (Inferno, XV, 76), but the earliest relative he could mention by name was Cacciaguida degli Elisei (Paradiso, XV, 135), of no earlier than about 1100. Dante's father, Alighiero di Bellincione, was a White Guelph (see politics section) who suffered no reprisals after the Ghibellines won the Battle of Montaperti in the mid 13th century. This suggests that Alighiero or his family enjoyed some protective prestige and status.
Dante's family was prominent in Florence, with loyalties to the Guelphs, a political alliance that supported the Papacy and which was involved in complex opposition to the Ghibellines, who were backed by the Holy Roman Emperor. The poet's mother was Bella degli Abati. She died when Dante was not yet ten years old, and Alighiero soon married again, to Lapa di Chiarissimo Cialuffi. It is uncertain whether he really married her, as widowers had social limitations in these matters. This woman definitely bore two children, Dante's brother Francesco and sister Tana (Gaetana). When Dante was 12, in 1277, he was promised in marriage to Gemma di Manetto Donati, daughter of Messer Manetto Donati. Contracting marriages at this early age was quite common and involved a formal ceremony, including contracts signed before a notary. Dante had already fallen in love with another girl, Beatrice Portinari (known also as Bice). Years after his marriage to Gemma, he met Beatrice again. He had become interested in writing verse, and although he wrote several sonnets to Beatrice, he never mentioned his wife Gemma in any of his poems.
Dante fought in the front rank of the Guelph cavalry at the battle of Campaldino (June 11, 1289). This victory brought forth a reformation of the Florentine constitution. To take any part in public life, one had to be enrolled in one of "the arts". So Dante entered the guild of physicians and apothecaries. In following years, his name is frequently found recorded as speaking or voting in the various councils of the republic.

Dante had several children with Gemma. As often happens with significant figures, many people subsequently claimed to be Dante's offspring; however, it is likely that Jacopo, Pietro, Giovanni, Gabrielle Alighieri and Antonia were truly his children. Antonia became a nun with the name of Sister Beatrice.

Education and poetry

Not much is known about Dante's education, and it is presumed he studied at home. It is known that he studied Tuscan poetry, at a time when the Sicilian School (Scuola poetica siciliana), a cultural group from Sicily, was becoming known in Tuscany. His interests brought him to discover the Occitan poetry of the troubadours and the Latin poetry of classical antiquity (with a particular devotion to Virgil).
During the "Secoli Bui" (Dark Ages), Italy had become a mosaic of small states, Sicily being the largest one, at the time under the Angevine dominations, and as far (culturally and politically) from Tuscany as Occitania was: the regions did not share a language, culture or easy communications. Nevertheless, we can assume that Dante was a keen up-to-date intellectual with international interests.

When he was nine years old he met Beatrice Portinari, daughter of Folco Portinari, with whom he fell in love "at first sight", and apparently without even having spoken to her. He saw her frequently after age 18, often exchanging greetings in the street, but he never knew her well; he effectively set the example for the so-called "courtly love". It is hard now to understand what this love actually comprised, but something extremely important for Italian culture was happening. It was in the name of this love that Dante gave his imprint to the Stil Novo and would lead poets and writers to discover the themes of Love (Amore), which had never been so emphasized before. Love for Beatrice (as in a different manner Petrarch would show for his Laura) would apparently be the reason for poetry and for living, together with political passions. In many of his poems, she is depicted as semi-divine, watching over him constantly. When Beatrice died in 1290, Dante tried to find a refuge in Latin literature. The Convivio reveals that he had read Boethius's De consolatione philosophiae and Cicero's De amicitia. He then dedicated himself to philosophical studies at religious schools like the Dominican one in Santa Maria Novella. He took part in the disputes that the two principal mendicant orders (Franciscan and Dominican) publicly or indirectly held in Florence, the former explaining the doctrine of the mystics and of Saint Bonaventure, the latter presenting Saint Thomas Aquinas' theories.
At 18, Dante met Guido Cavalcanti, Lapo Gianni, Cino da Pistoia and soon after Brunetto Latini; together they became the leaders of Dolce Stil Novo ("The Sweet New Style"). Brunetto later received a special mention in the Divine Comedy (Inferno, XV, 28), for what he had taught Dante. Nor speaking less on that account, I go With Ser Brunetto, and I ask who are His most known and most eminent companions. Some fifty poetical components by Dante are known (the so-called Rime, rhymes), others being included in the later Vita Nuova and Convivio. Other studies are reported, or deduced from Vita Nuova or the Comedy, regarding painting and music.

Dante, like most Florentines of his day, was embroiled in the Guelph-Ghibelline conflict. He fought in the battle of Campaldino (June 11, 1289), with the Florentine Guelphs against Arezzo Ghibellines, then in 1294 he was among the escorts of Charles Martel d'Anjou (son of Charles of Anjou) while he was in Florence.
To further his political career, he became a pharmacist. He did not intend to actually practice as one, but a law issued in 1295 required that nobles who wanted public office had to be enrolled in one of the Corporazioni delle Arti e dei Mestieri, so Dante obtained admission to the apothecaries' guild. This profession was not entirely inapt, since at that time books were sold from apothecaries' shops. As a politician, he accomplished little, but he held various offices over a number of years in a city undergoing political unrest.
After defeating the Ghibellines, the Guelphs divided into two factions: the White Guelphs (Guelfi Bianchi) -- Dante's party, led by Vieri dei Cerchi -- and the Black Guelphs (Guelfi Neri), led by Corso Donati. Although initially the split was along family lines, ideological differences rose based on opposing views of the papal role in Florentine affairs, with the Blacks supporting the Pope and the Whites wanting more freedom from Rome. Initially the Whites were in power and expelled the Blacks.
In response, Pope Boniface VIII planned a military occupation of Florence. In 1301, Charles de Valois, brother of Philip the Fair king of France, was expected to visit Florence because the Pope had appointed him peacemaker for Tuscany. But the city's government had treated the Pope's ambassadors badly a few weeks before, seeking independence from papal influence. It was believed that Charles de Valois would eventually have received other unofficial instructions. So the council sent a delegation to Rome to ascertain the Pope's intentions. Dante was one of the delegates.

Exile and death

A recreated death mask of Dante Alighieri (in Palazzo Vecchio, Florence).
Boniface quickly dismissed the other delegates and asked Dante alone to remain in Rome. At the same time (November 01, 1301), Charles de Valois entered Florence with Black Guelphs, who in the next six days destroyed much of the city and killed many of their enemies. A new Black Guelph government was installed and Messer Cante dei Gabrielli di Gubbio was appointed Podestà of Florence. Dante was condemned to exile for two years, and ordered to pay a large fine. The poet was still in Rome, where the Pope had "suggested" he stay, and was therefore considered an absconder. He did not pay the fine, in part because he believed he was not guilty, and in part because all his assets in Florence had been seized by the Black Guelphs. He was condemned to perpetual exile, and if he returned to Florence without paying the fine, he could be burned at the stake. (The city council of Florence finally passed a motion rescinding Dante's sentence in June 2008.)
The poet took part in several attempts by the White Guelphs to regain power, but these failed due to treachery. Dante, bitter at the treatment he received from his enemies, also grew disgusted with the infighting and ineffectiveness of his erstwhile allies, and vowed to become a party of one. At this point, he began sketching the foundation for the Divine Comedy, a work in 100 cantos, divided into three books of thirty-three cantos each, with a single introductory canto.
He went to Verona as a guest of Bartolomeo I della Scala, then moved to Sarzana in Liguria. Later, he is supposed to have lived in Lucca with Madame Gentucca, who made his stay comfortable (and was later gratefully mentioned in Purgatorio, XXIV, 37). Some speculative sources say that he was also in Paris between 1308 and 1310. Other sources, even less trustworthy, take him to Oxford.
In 1310, the Holy Roman Emperor Henry VII of Luxembourg, marched 5,000 troops into Italy. Dante saw in him a new Charlemagne who would restore the office of the Holy Roman Emperor to its former glory and also re-take Florence from the Black Guelphs. He wrote to Henry and several Italian princes, demanding that they destroy the Black Guelphs. Mixing religion and private concerns, he invoked the worst anger of God against his city, suggesting several particular targets that coincided with his personal enemies. It was during this time that he wrote the first two books of the Divine Comedy.

In Florence, Baldo d'Aguglione pardoned most of the White Guelphs in exile and allowed them to return; however, Dante had gone too far in his violent letters to Arrigo (Henry VII), and he was not recalled.
In 1312, Henry assaulted Florence and defeated the Black Guelphs, but there is no evidence that Dante was involved. Some say he refused to participate in the assault on his city by a foreigner; others suggest that he had become unpopular with the White Guelphs too and that any trace of his passage had carefully been removed. In 1313, Henry VII died, and with him any hope for Dante to see Florence again. He returned to Verona, where Cangrande I della Scala allowed him to live in a certain security and, presumably, in a fair amount of prosperity. Cangrande was admitted to Dante's Paradise (Paradiso, XVII, 76).

In 1315, Florence was forced by Uguccione della Faggiuola (the military officer controlling the town) to grant an amnesty to people in exile, including Dante. But Florence required that as well as paying a sum of money, these exiles would do public penance. Dante refused, preferring to remain in exile. When Uguccione defeated Florence, Dante's death sentence was commuted to house arrest, on condition that he go to Florence to swear that he would never enter the town again. Dante refused to go. His death sentence was confirmed and extended to his sons. Dante still hoped late in life that he might be invited back to Florence on honorable terms. For Dante, exile was nearly a form of death, stripping him of much of his identity. He addresses the pain of exile in Paradiso, XVII (55-60), where Cacciaguida, his great-great-grandfather, warns him what to expect:
... Tu lascerai ogne cosa diletta
"...You shall leave everything you love most:
più caramente; e questo è quello strale
this is the arrow that the bow of exile
che l'arco de lo essilio pria saetta.
shoots first. You are to know the bitter taste
Tu proverai sì come sa di sale
of others' bread, how salty it is, and know
lo pane altrui, e come è duro calle
how hard a path it is for one who goes
lo scendere e 'l salir per l'altrui scale...
ascending and descending others' stairs..."
As for the hope of returning to Florence, he describes it wistfully, as if he had already accepted its impossibility, (Paradiso, XXV, 1–9):
Se mai continga che 'l poema sacro
If it ever come to pass that the sacred poem
al quale ha posto mano e cielo e terra,
to which both heaven and earth have set their hand
sì che m'ha fatto per molti anni macro,
so as to have made me lean for many years
vinca la crudeltà che fuor mi serra
should overcome the cruelty that bars me
del bello ovile ov'io dormi' agnello,
from the fair sheepfold where I slept as a lamb,
nimico ai lupi che li danno guerra;
an enemy to the wolves that make war on it,
con altra voce omai, con altro vello
with another voice now and other fleece
ritornerò poeta, e in sul fonte
I shall return a poet and at the font
del mio battesmo prenderò 'l cappello . . .
of my baptism take the laurel crown...
Of course it never happened. Prince Guido Novello da Polenta invited him to Ravenna in 1318, and he accepted. He finished the Paradiso, and died in 1321 (at the age of 56) while returning to Ravenna from a diplomatic mission to Venice, perhaps of malaria contracted there. Dante was buried in Ravenna at the Church of San Pier Maggiore (later called San Francesco). Bernardo Bembo, praetor of Venice in 1483, took care of his remains by building a better tomb.

On the grave, some verses of Bernardo Canaccio, a friend of Dante, dedicated to Florence:
parvi Florentia mater amoris
"Florence, mother of little love"
Eventually, Florence came to regret Dante's exile, and made repeated requests for the return of his remains. The custodians of the body at Ravenna refused to comply, at one point going so far as to conceal the bones in a false wall of the monastery. Nevertheless, in 1829, a tomb was built for him in Florence in the basilica of Santa Croce. That tomb has been empty ever since, with Dante's body remaining in Ravenna, far from the land he loved so dearly. The front of his tomb in Florence reads Onorate l'altissimo poeta - which roughly translates as "Honour the most exalted poet". The phrase is a quote from the fourth canto of the Inferno, depicting Virgil's welcome as he returns among the great ancient poets spending eternity in Limbo. The continuation of the line, L'ombra sua torna, ch'era dipartita ("his spirit, which had left us, returns"), is poignantly absent from the empty tomb.
Recently, a recreation of Dante's face was made, showing that his features were much more ordinary than once thought.
Works

Dante, poised between the mountain of purgatory and the city of Florence, displays the famous incipit Nel mezzo del cammin di nostra vita in a detail of Domenico di Michelino's painting, Florence 1465.

The Divine Comedy describes Dante's journey through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso), guided first by the Roman poet Virgil and then by Beatrice, the subject of his love and of another of his works, La Vita Nuova. While the vision of Hell, the Inferno, is vivid for modern readers, the theological niceties presented in the other books require a certain amount of patience and knowledge to appreciate. Purgatorio, the most lyrical and human of the three, also has the most poets in it; Paradiso, the most heavily theological, has the most beautiful and ecstatic mystic passages in which Dante tries to describe what he confesses he is unable to convey (e.g., when Dante looks into the face of God: "all'alta fantasia qui mancò possa" - "at this high moment, ability failed my capacity to describe," Paradiso, XXXIII, 142).
Dante wrote the Comedy in a new language he called "Italian", based on the regional dialect of Tuscany, with some elements of Latin and of the other regional dialects. By creating a poem of epic structure and philosophic purpose, he established that the Italian language was suitable for the highest sort of expression. In French, Italian is nicknamed la langue de Dante. Publishing in the vernacular language marked Dante as one of the first (among others such as Geoffrey Chaucer and Giovanni Boccaccio) to break from standards of publishing in only Latin (the languages of liturgy, history, and scholarship in general). This break allowed more literature to be published for a wider audience - setting the stage for greater levels of literacy in the future.

Readers often cannot understand how such a serious work may be called a "comedy". In Dante's time, all serious scholarly works were written in Latin (a tradition that would persist for several hundred years more, until the waning years of the Enlightenment) and works written in any other language were assumed to be more trivial in nature. Furthermore, the word "comedy," in the classical sense, refers to works which reflect belief in an ordered universe, in which events not only tended towards a happy or "amusing" ending, but an ending influenced by a Providential will that orders all things to an ultimate good. By this meaning of the word, the progression of Dante's pilgrimage from Hell to Paradise is the paradigmatic expression of comedy, since the work begins with the pilgrim's moral confusion and ends with the vision of God.

Dante's other works include the Convivio ("The Banquet") a collection of his longest poems with an (unfinished) allegorical commentary; Monarchia, which was condemned and burned after Dante's death by the Papal Legate Bertrando del Poggetto and which serves as a monumental political philosophy treatise describing a monarchial global political organization and its relationship to the Roman Catholic Church; De vulgari eloquentia ("On the Eloquence of Vernacular"), on vernacular literature, partly inspired by the Razos de trobar of Raimon Vidal de Bezaudun; and, La Vita Nuova ("The New Life"), the story of his love for Beatrice Portinari, who also served as the ultimate symbol of salvation in the Comedy. The Vita Nuova contains many of Dante's love poems in Tuscan, which was not unprecedented; the vernacular had been regularly used for lyric works before, during all the thirteenth century. However, Dante's commentary on his own work is also in the vernacular - both in the Vita Nuova and in the Convivio - instead of the Latin that was almost universally used. References to Divina Commedia are in the format (book, canto, verse), e.g., (Inferno, XV, 76).

9.25.2008

LB 451-452 (Appendix) 雯璇 T

451-452 Otto Marx
The history of the biological basis of language


The proponents of a “natural scientific” approach had been very few in number, and the majority of the learned had confined their thinking to written language and had framed their opinions in theology.


自然科學方案提倡者並不多;大多研究者把想法侷限於書面文字,並以神學理論建造其想法。

The beginnings of a separation of language philosophy from theology are found in the writings of
Dante Alighieri (1265-1321). In his works on language theory and in the Divine Comedy, Dante relegated the contemplation of language origins to language theology. Thereby, he initiated the development of a secular language theory to deal with diversification and evolution of languages. The multiplicity of languages was no longer regarded as God's punishment for the attempt to build the tower of Babylon, but a natural phenomenon. The primary function of language was human communication and not the search for truth, as Thomas Aquinas had believed [36].



從但丁(1265-1321)的作品,開始看出神學思想從語言哲學中抽離。在他的語言理論和神曲裡,但丁將語言起源來自神學理論之預想屏除。因此但丁開創非宗教語言理論發展,並將語言演化推向多樣化。語言多樣性不再被視為人們試圖修造巴比倫塔-一種瀆神行為,而是一種自然現象。。語言最主要功能為人類溝通,而非尋求真理,如同托瑪斯阿奎斯所相信。(譯註:巴比倫這個名稱在巴比倫語的語音義與古希來語『變亂』一詞相同)

The search for biblical sources was no longer a part of language philosophy of Cardinal of Brixen,
Nicholas of Cues (1401-1464). In 1440, he attributed language differences to the influences of climate [37].




聖經原始資料探究不再是語言哲學的重要核心,Nicholas of Cues (1401-1464)於1440年將語言差異歸因於不同面向影響。


But the detachment of language history from biblical tradition was only slowly accomplished. Supposedly, King James IV (1473-1513) of Scotland repeated Psammeticho's experiment. His aim was to prove a biblical origin for his country. If the utterings of the children had been in a biblical language, the genealogy of Scotland would extend to the days of Bible [38]. [7]




然而語言歷史與聖經傳統分化的相法卻緩慢地實現。根據推測詹姆士四世重複Psammeticho的實驗,他目標要為國家應證聖經的起源。如果孩子們說的話為聖經語,那麼英格蘭的系譜就可能擴展至聖經時期。


Language became the subject of an ever-increasing number of writers. The poets who wrote in their native tongue emphasizes the creative principle inherent in language, and although some, such as Jacob Böehme (1575-1624) wrote of language as a gift of nature, this was meant in a spiritualistic and mystical sense [39]. Others, for example, the polyhistorian and physician Konrad Gesner (1516-1565), considered language in the wake of the Reformation in terms of religious belief. The Reformators had re-emphasized the bond between language and God when they had translated the Bible [39x].



語言不斷地成為筆者的主題。一些詩人用母語方言來強調語言固有的起源;但有些如Jacob Boehme (1575-1624)將語言起源視為大自然賦予的禮物,存有神聖高尚和神秘意味,而有些如歷史兼醫師Konrad Gesner (1516-1565)依宗教信仰來探究語言,認為語言為引發宗教改革運動因子。這些改革者翻譯聖經時,重新強調與統結語言和上帝之間的關連性。


A more naturalistic approach is evident in the writings of some men very close to church like Pietro Bembo (1470-1547) a Venetian patrician and secretary to Pope Leo X [40]. The leading Spanish humanist, Juan Luis Vives (1492-1540), a pedagogue and anthropologist who taught at English and French universities, proposed that every language has a natural order which no individual can determine or change.
Languages undergo changes with time and his idea that the simpler languages are the oldest was to reappear frequently. He believed in an original perfect “language adamique” but did not equate in with Hebrew. Man's language ability is expressed in the various mother tongues (hence there is no need to search the natural language) [41].



與教宗密切者顯然地也從更自然的角度來看語言。例如:一、Pietro Bembo (1470-1547) 身為威尼斯貴族和Pope Leo X的秘書,二、Juan Luis Vives (1492-1540) 為西班牙人類學派領導者,於法國大學內任教,提出每種語言有自己的自然程序,沒有人能決定或改變。語言隨著時間改變,他所提出的想法『最簡易的語言為最原始的語言』更不時地為人討論。他相信一種完美原始的language adamique,但與希伯來語是不等同。人類語言能力表現於不同母語。(因為人們不需要尋找自然語言。)


A sceptic viewpoint was expressed by the French philosopher Michel de Montaigne (1533-1592). Language is not a substance but a sound which just approaches but never accomplishes the definition of things. It is based on a human need and a child growing up alone would have the drive to produce his own language in order to express his concepts [42]. Apparently even the sceptic believed in a natural basis of language.

法國哲學家Michel de Montaigne (1533-1592) 提出無神論觀點。語言不是物質而是種接近而未達到事物定義的聲音。它建立於人類需求上,一個小孩獨立成長就具有能力駕馭語言來表達自己的想法。顯然甚至連無神論者也相信語言自然根據。



The philosopher's emphasis on language, as the expression of concepts or of man's reason, undoubtedly was a factor in confining to philosophy the considerations of all language elements. This cannot have been considered a restriction as long as natural science was still a part of philosophy. But the study of nature began to differentiate itself from philosophy in the 17th century. The separation was to some extent influenced by René Descartes (1596-1650). He considered reason and the use of words and signs the two most reliable means of distinguishing man from human machine. He differentiated language from articulation which man shared with parrots and magpies, and from the expression of emotions which he shared with most animals [43].




哲學家強調語言主要為表達人類思想和理智。無疑地這只侷限於用哲學解釋所有語言要素。不過這解釋仍有限制,因為自然科學為哲學一部份,但自然研究在17世紀逐漸地從至哲學中區別,這區分在一定程度上受到René Descartes (1596-1650)的影響,他認為理性和字與符號使用,這兩項最能拿來區分『人』、『人性化機器』的不同。他將人類語言與鸚鵡和鵲的發音區分,並將人類與大部份動物的情感表達區別看待。


Descartes' aim to prove the complete independence of man' s soul from his body was to prove fruitful in the development of the scientific study of the body. But because language had been attributed to the soul, the study of biological basis of language could not develop to the extent to which Descartes' division of man was accepted. Although he had recognized the production of language as inherent in man and believed that children raised alone develop a language like ours, his concern with language in this connection was the old question of the relationship of language to the true nature of things [44].



Descartes的目標藉由說明人體和靈魂間完整獨立性,來證明人體科學研究具有豐富成效。不過由於語言被歸因於靈魂,以生物基礎的語言研究無法建立於Descartes的人類區分上,即使他承認語言產生為人類固有並相信小孩獨立成長時能發展和成人一樣的語言。他所提出關於語言和這方面的關係,仍為語言與天性之間的老問題。

Justus Georg Schottel (1612-1676) the best known German language theoretician of his time wrote, in summarizing his views on language in 1663, that language is not man-made but natural. But the term natural is not to be understood as opposed to cultural, for he considered that the characteristics of a society, for instance, natural to it. He believed that true nature of things was expressed by a natural language which German approximated most closely [45]. The superiority of German because of its closeness to “language adamique” was also a tenet of Gottfried Wilhelm Leibniz (1646-1716). Language ability was a gift of God, and the form of language was determined by natural instinct, with the exception of Chinese, which could have been invented by a wise man, and some other languages, which may have been the result of selecting words from languages already existent [46]. His view has been interpreted to be a modification of Locke's pure invention theory [47].



蔚為聞名的德國語言理論作家-Justus Georg Schottel (1612-1676),於1663年概述對語言的見解,內容提到語言非人造而成,而是天性。但是相對地天性無法和他所認知的社會特徵-文化一同解釋。例如:天性相對於文化。他相信『真』自然的事物是由自然語言來傳達,與德國人推估的非常接近。因為德人信仰相似language adamique,也為Gottfried Wilhelm Leibniz (1646-1716)之宗旨,語言能力為上帝賜與的禮物,語言格式也決定於自然天性。不過中文除外,中文傳說是由一位智者創造,而其它有些語言也除外,因為那些語言可能是由已存語言中的字經由挑選後形成,有人以Locke純創造論修訂版來解釋他(Justus Georg Schottel (1612-1676))的觀點。



Vocabulary
1. theology (n.) 神學; 宗教體系
2. relegate (v.) 放逐; 貶謫
3. contemplation (n.) 沉思; 凝想
4. diversification (n.) 多樣化; 經營多樣化
5. multiplicity (n.) 多樣性; 重複
6. biblical (adj.) 《聖經》的;《聖經》中的
7. genealogy (n.) 系譜(圖); 家譜(圖); 宗譜(圖)
8. spiritualistic (adj.) 唯心論的; 降神術的
9. mystical (adj.) 神祕的; 信奉(或實踐)神祕主義的
10. Reformation (n.) 宗教改革(十六至十七世紀的天主教會改革運動,結果產生了基督
新教)
11. naturalistic (adj.) 博物學的; 自然主義的;【宗】自然論的
12. patrician (n.) 古羅馬的)貴族; (羅馬帝國在義大利及非洲的)地方行政長官顯貴,貴族
13. anthropologist (n.) 人類學家
14. pedagogue (n.) (小學)教師; 喜歡賣弄學問的教師
15. differentiate (v.) 使有差異;構成...間的差別[(+from)]
16. theoretician (n.) 理論家
17. tenet (n.) 信條;主義;教義;宗旨;原則

NOTES
7. Borst could find no evidence of experiment in contemporary sources. A. Borst, op. cit., p. 1010.

REFERENCES
36. Apel, Karl O. Archiv f. Begriffsgeschichte. Bonn, 1963, Vol.8, pp. 104-106.
Borst, A., op.cit., pp.801, 871 et seq.
37. _____. P. 1027.
38. Panconcelli-Calzia, Guilo, Sprachformen, Vol. I. 1955, p.272. Cited by A. Borst,
op. cit., p1010.
39. Hankamer, Paul, Die Sprache. Cohen, Bonn, 1927, p.123 er seq.
39x. Borst, A., op.cit., p. 1086.
40. _____. P. 1107.
41. _____. Pp. 1137-8.
42. _____. P.1256.
43. Dèscartes, Renè, Philosoph. Werke. Edited and translated by J. H. von
Kirchmann, Heimann. Berlin, 1870: sur la methode, pp.66-68.
44. Borst, A., op. cit., p.1086.
45. Hankamer, P., op.cit., pp.127 et seq.
46. Leibniz, Gottfried Wilhelm, Werke. Edited and translated by W. von Engelhardt and H. H. Holz, Wiss. Buchgesellsch, Darmstadt, 1961, pp. 1, 21.
47. Borst, A., op. cit., p. 1475.